Showing posts with label geography. Show all posts
Showing posts with label geography. Show all posts

2011-10-10

Interstitial #9. City borders. Pictures from the suburban Milano.

A message from the afterlife and a massage from the past

I'm not sure if my Internet good friend Mike Chisholm was including me in his resurrection post focusing on the blogs' blight but I suspect that for the usual parameters this blog may actually be dead. Instead, not to reassure anybody, it is not. To be honest I find that the migration of compulsive blog followers to other shores (facebook above all) is somewhat a liberation. Several times I felt guilty to not post enough but as I see it now it's only because it takes time, and a lot of effort to say something that i feel strongly enough.
In the meanwhile my researches on paths, trails and roads took me to the medieval pilgrimages and in the detail that of the "Camino de Santiago". It is a bit early to say something that has not been said upon though. Mainly what fascinates me there is the spread of visual resemblances along the various routes, and the related issue of how visual cognition is transmitted among us. The idea that I started to caress is that a trail may also be considered a visual media, a very ancient one that, perhaps, we even share with other species. This idea was reinforced by a personal revival I had for Herbert Marshall McLuhan's "The media is the massage" in particular I've found these youtube videos: part1 and part2 that I think maybe of interest to anyone who's engaged in understanding the current state of things in visual, and not only, media. An other interesting suggestion came from this post that I've found that describes a tradition in molding trees along pathways walked by American Aboriginal peoples.
As an aside consideration a thing that amazed me is McLuhan's prediction of the "easternalization" of the western culture that he viewed as a consequence of the diffusion of the electronic devices (or "electric" given the zeitgeist he was in). His general idea was that the spread of "electric" devices would led, as a consequence, to the lost of the western obsession with the identitarian ego as opposed to a "into the flow" perception of the self that, he says, characterizes the eastern culture.

Un messaggio dall'aldilà e un massaggio dal passato

Non sono sicuro se il mio buon amico Internet Mike Chisholm mi abbia incluso nel suo post sulla moria dei blog ma ho il sospetto che in base ad alcuni parametri questo blog possa considersi morto. Invece, non per rassicurare alcuno, non lo è. Per essere onesto trovo che la migrazione verso altre spiagge (facebook sopratutto) dei seguitori compulsivi di blog sia una liberazione. Spesso mi sono sentito in colpa di non "postare" a sufficienza ma per come la vedo ora è solo perchè ci vuole tempo e un sacco di sforzi per dire qualcosa che senta con sufficiente intensità. Nel frattempo la mia ricerca sui cammini, sentieri e strade mi ha portato ai pellegrinaggi medioevali e nel dettaglio sul "Cammino di Santiago". È tuttavia presto per dire qualcosa che non sia già stato detto in merito. Quello che mi affascina in tutto ciò è lo spargersi delle assomiglianze lungo le diverse strade e l'argomento relativo di come la cognizione visiva venga trasmessa tra di noi. L'idea che ho iniziato a carezzare è che un cammino possa anche essere considerato un media, uno molto antico che, forse, condividiamo anche con altre specie. L'idea è stata rinfrozata da un revival personale che ho avuto per McLuhan e il suo "Il media è il massaggio" e in particolare ho trovato questi video su youtube: "parte 1" e "parte 2" che penso possano essere d'interesse per chi sia impegnato a capire lo stato delle cose nei media visivi e non solo. Una altra interessante suggestione è venuta da questo post che descrive la tradizione di modellare le piante lungo i percorsi di alcuni Aborigeni Americani.
Come considerazione a lato quello che mi ha stupito è la predizione di McLuhan circa l'orientalizzazione della cultura occidentale che egli ha visto come conseguenza della diffuzione dei dispositivi elettronici (o elettrici dato lo spirito dei tempi in cui era immerso). L'idea generale è che il diffondersi di dispositivi "elettrici" avrebbe portato, come conseguenza, alla perdita della ossessione occidentale incentrata sull'ego identitario opposta a quella orientale che è, lui dice, caratterizzata da una percezione del sè inserita nel flusso.



2010-06-04

Milan ordinary landscapes. Giardino Robert Baden-Powell #2

An other quote to continue the previous post discourse:

"... What we need is a new definition. The one we find in most dictionaries is more than three hundred yeas old and was drawn up for artists. It tells us that a landscape is a "portion of land which the eye can comprehend at a glance." Actually when it was first introduced (or reintroduced) into English it did not mean the view itself, it meant a picture of it, an artist's interpretation. It was his task to take the forms and colors and spaces in front of him -- mountains, river, forest, fields, and so on -- and compose them so they made a work of art ... " J. B. Jackson "The word itself" from "Discovering the vernacular landscape"

In Italian, a Latin based language, the word "landscape" is rendered as "paeasaggio" from the French "paysage". The root is a bit different though, coming form "pagus", the village or administrative country unit and formerly "border milestone stick into the earth". However The European Landscape Convention endorses the equivalence in its official text:

“Landscape” means an area, as perceived by people, whose character is the result of the action and interaction of natural and/or human factors (EN)
"Paesaggio" designa una determinata parte di territorio, così come è percepita dalle persone, il cui carattere deriva dall'azione di fattori naturali e/o umani e dalle loro interrelazioni (IT)

I've opened this series with some pictures of a couple of kinds of wisteria. Thanks to a willing friend here is a nice, and informed, digression, scroll down for the English version.

2010-05-31

Milan ordinary landscapes. Giardino Robert Baden-Powell #1

Just a short quote for this post.

... when I was photographing in Vermont, photographing the landscape, I didn't know what the landscape was ... I mean the landscape was picture to me. What I was trying to find was the ideal landscape that I'd seen in other pictures. I could never find it, but it was the landscape I was looking for. And so somehow even though I was trying, sometimes, I could never see the real landscape. I could never see the landscape that was there.I was always seen through this haze of other pictures, that in some ways I was trying to reproduce, or reproduce the feeling of it.

"Thoughts on Landscape" by Frank Gohlke

2010-04-26

Milan ordinary landscapes. Porta Garibaldi #9. February 2010

In the post closing the series on the PASM (Parco Agricolo Sud Milano) I have left you with a quote that focused on "LANDSCAPE AS DOCUMENT". In case you where interested here is the, almost, complete article: "THE MONUMENT AND THE BUNGALOW", courtesy by Google books. The article is divided in two parts. The first one, of general scope, focuses mainly on to the ways to approach landscape reading, the second one is a live example, that I have found of great Interest for Italians too, that, as immigrants, left their native country, in great numbers, for the "new world", as my father did.

2010-02-22

Parco Agricolo Sud Milano. Last year on a day like this. Birds

'Unreal, unreal!' ghost helmsmen scream
and fall in through the sky,
not breaking through my seagull shrieks...

Van Der Graaf Generator - A Plague Of Lighthouse Keepers

Just an update on the Journal of Visual Culture I have linked in a previous post. The Journal seems to be "reborn again" you will find it here.

2010-02-18

Parco Agricolo Sud Milano. Last year on a day like this. Ruins

Doctor Livingstone, I presume

I'm closing on Geography by now. Leaving you with a last contribution. While in the US the main activity in the second half of the Nineteenth Century was to go West in Europe it was Africa to attract the attention of a hungry set of several different subjects, in both cases it is interesting how the icon of the "virgin and untouched soils" became a common trait. In this work you'll find a deep analysis of how the whole image of the famous Doctor was set up including photography and, more important, the newly, for the times, introduced techniques for large scale image replication. The linked Google snippet,for the purpose to understand the formation of an anticipated landscape, is , in my opinion, more than enough unless you are interested in the specific question. More or less each European Country had its own paper built colonial Heroes starting with Cristoforo Colombo till the utterly pathetic Italian ones of the last minute. Interestingly Italy contributed to the general imagery adding some songs.

2010-02-13

Milan ordinary landscapes. Darsena #1. The same foggy day ...

 
 
 
 

Geography and Landscape Photography. Updates

I'm keeping on in this drift into Landscape forming disciplines. It may not be totally clear in which way an abstract theory may contribute its own in the shaping of the every day landscape. This excerpt from "Critical Geographies" (I'm publishing it also for the most lazy among you readers :) gives an example of expectations about the land, still to colonize, that in some ways happened.
``It is, perhaps, in those international negotiations and agreements which concern the political status of great countries, and determine their boundaries and the respective limits of their responsibilities, that the danger of inaccurate geographical knowledge is greatest, and the results of it are the most disastrous. Truly, this period in our history has been well defined as the boundary-making era. Whether we turn to Europe, Asia, Africa, or America, such an endless vista of political geography arises before us, such a vast area of land and sea to be explored and developed; such a vision of great burdens for the white man to take up in far-off regions, dim and indefinite as yet; that it can surely be only by the grace of Providence that we shall finally emerge from the struggle to rearrange the world‟s partitioning, without some deadly contest with others whose interests in these new arrangements are hardly less than our own. And I may, perhaps, be permitted to say, that just as the Providence of battles usually favors the biggest battalions, so it is likely that the widest geographical knowledge will prove the best safeguard against misunderstandings, and will at once dispose of such false estimates of the value of portions of the world‟s surface here and there as have occasionally brought England perilously close to the dividing line between peace and war. By geographical knowledge I do not mean simply that knowledge of the Earth‟s surface which we gain by surveying it. I mean also a knowledge of those ordinary laws of nature which decide the configuration of mountains and the flow of rivers, where certain influences must inevitably lead to certain conditions (Holdich, 1899, 466-7). `` From Critical Geographies pp. 144 ''The New Geography and the New Imperialism: 1870-1918 `` Brian Hudson 1972.
Expectations, projections and desires operate constantly in image making. In some ways we get to a place with a set of already thought out pictures, we anticipate what we will see. The fundamentalist school of pre visualization in some ways, and in some extremes, made the anticipation a key point in landscape making. An interesting experience of how such anticipation was abruptly shut down is reported by Robert Adams about his work. To close the post here is a link to an interesting, but I still have to digg in deeper, online journal: Invisible Culture. I've got there looking for "post colonial geography" that is the object of the latest issue.

2010-02-08

Milan ordinary landscapes. Late winter fog.

On Geography and Landscape photography again.

In the previous post I've pointed out some connections Landscape Photography has with Geography, or better Humanist Geography. In a lot of cases on each side the work is in making "borders", what is in and what is out. However Geography now relies on a gigantic amount of data, and with the Internet the sources grew exponentially. While in the case of Critical Geography we are more on the side of the paradigmatic change (or several paradigmatic changes competing or collaborating) in the case of NeoGeography we land on a totally different view, that of the fun in making new maps. It is an other side, that of the quantities, but this time not in scarce ratio but overly abundant, something to play with if you like. While I was there I've made some searches on issuu and I've found this text, more on the paradigmatic side, that has a nice delineation of Geography's spaces at the beginning: "Is Geography Destiny". The title itself is full of "cosmic" interest :-D

2010-02-04

Milan ordinary landscapes. Porta Garibaldi #7.

 
 

In the last post I've left a link to the Wikipedia definition of Dérive/Drift in the sense intended by Guy Debord from the Situationist International: SI. I've read the SI manifesto 30 years ago while trying to find a way out from the heavy, for excessive ideology, Seventies. Recently I've stumbled upon them while reading an online, and free, book: Critical Geography. The book collects several articles some of which of historical importance, among them: Introduction to a Critique of Urban Geography written by Guy Debord (one of the most visible actors in SI). Geography is a sibling of Landscape Photography, they share the same object: surfaces. Photography itself is all about surfaces. Both had their rise in the second half of the nineteenth century and both had a dramatic impact on the way we shaped the world in which we live. Critical Geography tries to introduce the idea that geography may be studied along different, either quantitative either qualitative, points of view as in the case of "Anti colonialist" Geography or Feminist Geography, see this entry in Wikipedia for a panoramic view.

2008-12-15

quadro #20 urbana



I deeply adhere to the concepts depicted in the previous post. Sadly I have to observe that while those are, ideally, very nice principles in practice they are almost never respected. Recently, however, it seems that in architecture and human geography some tendencies toward this more conscious approach are emerging either in literature either in blog formats. Starting from the seventies of the past century a lot has been studied and published upon this subject in geography.

In epistemologic terms Geography belongs to a modern kind of science. A science who's aim is to describe reality rather than rule it. Unfortunately the realm of investigation is quite complex as much as everything in our world is. But as a landscape photographer I think that it is mandatory to have some knowledge about. At least to act intentionally. One that seems to me a good starting point is this one (pdf). You will find there either exercises in landscape reading either some good bibliographical starting points.

Some photographers too got there early, albeit following different paths and more on the side of the artistic intuition. Among these are the ones who attended to the "New Topographics" exhibitions since 1975.

2008-06-05

Previsualizing the future landscape

According to ordinary geographers we can do some kind of prevision of the composition of the near future (and not so near) landscape by consulting distribution and franchising manuals regarding the exterior look a specific business must have. An interesting source that can give you some insight in the landscape you will be shooting at in the near future is here. A bit more savage here i am still not sure that the latter is for serious. As a reference in landscape thinking see also.
If you are fluent in reading italian language you can also have a look here.